“Courage,
courage, mon ami. He has asked to see you, that is well …” and he would have
gone on, but Pierre
thought it fitting to ask: “How is …?” He hesitated, not knowing whether it was
proper for him to call the dying man “the count”; he felt ashamed to call him
“father.”
“He has had
another stroke half-an-hour ago. Courage, mon ami.”
“The goodness
of heaven is inexhaustible; it is the ceremony of extreme unction which they
are beginning. Come.”
Chapter 20
PIERRE KNEW WELL that
great room, divided by columns and an arch, and carpeted with Persian rugs. The
part of the room behind the columns, where on one side there stood a high
mahogany bedstead with silken hangings, and on the other a huge case of holy
pictures, was brightly and decoratively lighted up, as churches are lighted for
evening service. Under the gleaming ornamentation of the case stood a long
invalid chair, and in the chair, on snow-white, uncrumpled, freshly changed
pillows, covered to the waist with a bright green quilt, Pierre recognised the
majestic figure of his father, Count Bezuhov, with the grey shock of hair like
a lion’s mane over his broad forehead, and the characteristically aristocratic,
deep lines on his handsome, reddish-yellow face. He was lying directly under
the holy pictures: both his great stout arms were lying on the quilt. In his right
hand, which lay with the palm downwards, a wax candle had been thrust between
the thumb and forefinger, and an old servant bending down over the chair held
it in it. About the chair stood the clergy in their shining ceremonial
vestments, with their long hair pulled out over them. They held lighted candles
in their hands, and were performing the service with deliberate solemnity. A
little behind them stood the two younger princesses holding handkerchiefs to
their eyes, and in front of them the eldest, Katish, stood with a vindictive
and determined air, never for an instant taking her eyes off the holy image, as
though she were declaring to all that she would not answer for herself, if she
were to look around. Anna Mihalovna with a countenance of meek sorrow and
forgiveness stood at the door with the unknown lady. Prince Vassily was
standing close to the invalid chair on the other side of the door. He had drawn
a carved, velvet chair up to him, and was leaning on the back of it with his
left hand, in which he held a candle, while with his right he crossed himself,
turning his eyes upwards every time as he put his finger to his forehead. His
face expressed quiet piety and submission to the will of God. “If you don’t
understand such feelings, so much the worse for you,” his face seemed to say.
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